“Leonard was at the top of her game from the start. In an early song, “I Will Always Love You,” her lustrous voice left the audience spellbound.” Daily Gazette “Leonard plays a young actress forced to choose between financial security and true love. For quite a while she kept in check her honest emotions and […]
“In the one-act opera, the excellent American mezzo-soprano Isabel Leonard took on her Grammy-winning role of The Child, a 6-year-old in backwards ballcap and short pants. Leonard fully inhabited her role, delivering tantrums defiantly and interacting remarkably with both the actual and the animated characters while onstage for the entire work. Despite the antics, listeners […]
Vulture 1. Dialogues des Carmélites With Isabel Leonard as the snowy-souled Blanche and Karita Mattila as the raging prioress, the return of Poulenc’s (almost) all-nun opera would have been pretty transcendent even without any additional virtues. But Yannick Nézét-Séguin’s presence on the podium made it downright celestial.
“It’s Leonard, though, in this overdue house debut, who anchors the action. Hers is a fallible, youthful Charlotte – flattered by attention, playful right up until truth and duty reassert themselves and she must reject Werther for the reliable Albert. Dark and thickly painted throughout the range, hers is an attractive voice, flowering into full […]
“The program also featured the mezzo-soprano Isabel Leonard, in lovely voice, singing Henri Dutilleux’s “Le Temps l’Horloge” song cycle, completed in 2009, haunting music that retains refined French impressionist colorings while speaking a boldly modernist language. She also sang an alluringly sensual account of Ravel’s “Shéhérazade.”” New York Times “Chemistry between Leonard and Nézet-Séguin truly […]